multi vitamins hits the vinyl lovers back with phoids >kashmir< ep (number 20 for the labels mv series). originally from the adventurous and multicultural moscow, phoiod has already had a first appearance on the mvd7 series, with his >event horizon< track. his first 12 inch on multi vitamins is a complete journey into intelligent sounds and spontaneous musical actions that settle some serious dancing. >kashmir< hits forcibly and irresistibly with diverse non-western vocals that drives the listeners in a trippy destination. right to the point, this track has a strict minimal bassline with a mystical story that needs to be...

one track for every point of the compass by manuel f. llorente aka prompt. 7 noise worldwide!

another show stopper from french outfitles umins. its all about the remixes on this dope three tracker, as home and garden kick things off with a tough, synth heavy retro 80s mix thats a totally new sound for these boys. on the flip brett johnson shows why hes the man, killing the floor with a truly bugged out take on the original thats just got prime time madness written all over it. sounds like a bit of plastikmans spastik in there! icon on point with an essential underground release.

baaz comes back home at sthlmaudio recordings for a rich and surprise full new ep called woodland drive. the 12 inches start right off with sink, a very baaz styled house track which is dance appealing and yet refined and subtle. a raw bassy groove monster track. the next one might surprise the baaz fans out there, yes it’s a hip-hop track featuring the soul vocals of katrina marie. we figured out that it might be fresh to provide some other point of view in the repeating herself dance scene. the b side strikes hard on the house side again, it s gone is one of those pure shining and rolling tracks. once to you uplift it you’d just let it go. a bass heavy subtle and groovy house cut, baaz trademark?! essential. and again the b2 and closing track is an lush and low key hip-hop science out of baaz most retired places

all the tracks on this double vinyl demonstrate his innovative approach to music, running the full spectrum from soft ambient interludes to the more uptempo beat trickery. accept manages to combine both extremes and is an apt opening track, demonstrating the two faced nature of aardvarcks productions, highly constructed beats and beautiful melodies. taa baa sounds like it emerged straight out of londons co op, though aardvarck has not been to this broken beat mecca. th #1 is pure ambient bliss and followed by the deep spacious beats of dim. steps is based around a seriously crunched up hip- hop break, think domu scrapping with the funkstorung boys. the original version of zom is track 7 (ignore the tracklisting on the cd) whilst the stunning remix by attica blues tony nwachukwu is actually track no. 17. upset is based around deep raw bass, the structure of the track is created with pin point beat work. flight simulator is a silky smooth journey, proving that aardvarcks beats dont have to be broken. the stuttered synchopated bass stabs of th#3 combined with its fearsome breaks push the edge of the nu jazz envelope and gentle is an uptempo number combining the skip of 2 step with smooth german jazz styles - one for the quirky jerky types on the dancefloor. th#6 is another deep ambient soundscape helping to ease the pressure after the frantic percussion of knet. stampot shows aardvarcks ability to counter fearsome rhythms with melancholy chords, the forward flowing synths float the listener over the near chaotic drum programming. finally, the album closes with the weeping strings and treated piano of anders, bizarrely twisted and warped sonics. one beautiful voyage!

no matter what sounds you profess to be your dance music of choice, chances are that at some point over the last five years, you will have gotten your rocks off to matt edwards aka radio slave. in that time matt has remixed countless tunes for an incredibly-wide selection of notable labels. to boot, his touring schedule must be almost painful. so it was with great pleasure that om was able to enlist his talents to compose a tune especially for our 15 year anniversary compilation. to cut straight to the chase, orchestrating maneuvers in the dark is a rhythmic deep tribal techno groove - obscure, dissident and crunchy - with a breakdown that dissolves into thin air - only to strangely and magnificently re-materialize into his funk-induced groove.

a project from spain that was delayed cause we simply lost contact with the artists at the point of signing. the duo seemed to have strong bonds with a spanish clique of the notorious central american gang ms-13. sadly enough, the main producer is in lock-down for a crime committed in the us and therefor we never had the chance to finish this project. it will now be released (finally) as part of the limited when insanity slips in series with a handnumbered screened printed sleeve. the music is pure electronic chaos (think ultradyne). pure analog terror from a project that already ended before even getting signed.

how many years was it being said house music couldnt last? yet, in spite of all, it keeps reinventing itself again and again, and here is the perfect example. slavakis latest output is a true house track with deep atmosphere, straight-to-the point message, and classic chicago feel, bringing back the times when records were few and far between and not every two sounded the same. this one has it all - the melody that speaks to your soul, the beat that defines the rhythm of your heart, and the message that makes us all come together. having already found its way to ra charts and being supported by some of the greatest djs worldwide, please welcome this outstanding release from elusive rec., who proudly set themselves on the mission to make this music art again.

without much need for introduction, archipel welcomes the talent of minus niederflur who bring with them the darkly blinding >lumen ep<. a lumen is a unit used to measure the perceived power of light and this ep is most definitely very powerful and certainly can be perceived as such. this is where the line between something as intangible as light is crossed and becomes tangible as one would feel an intense and warming heat which goes so far as to manifest itself as something with mass. title track >lumen< is the focused, convex lens, knife edge point of light which focuses a small portion of the suns energy so densely it could initiate many a blaze. >masse< is as dense as the most solid of gems and radiates dark light like heavy water and is sure to corrupt any geiger counter within its radioactive reach while >flor< stacks itself as high and wide as it can go, building further and further upon itself, and just as one would think it could build no further, it rotates itself back to within and further densifies, an inescapable sort of density of which one is eternally locked pleasurably within. >flucht< raises one into the blackest skies of night and flies hour after hour through blood orange clouds filled with the atmospherically scattered light from what was temporarily civilization below but is now just a memory shaded in the delight of being closed within the phosphorescence of late night fog.

nice price deal !!! the latest new comers from barcelona are sw eden born pow erduo of marco gegenheimer and jens rosengren aka gegenheimer & jenius. both of them are active in the spanish house scene and have been creating a havoc w ith their record label collective ourvision w hich released the excellent archimboldo from fellow sw ede axel boman. the tracks they offered to moodmusic have a simple message of floor dominance w ith musical values and they?ve proven to w ork fairly w ell on recent moodmusic nights at panorama bar and sonar. starting w ith basic shape, a tech-housey, almost early techno feel takes over w ith phasing keys and dry drumprogramming w ith a big break w ith lends a few notes from detroit city. cadaquÚs has a more house feel to it, still keeps the groove as main point w ith stabbing keys and a beautiful theme taking you on a trip to almost mr fingers territory. the closing track ips has been a sureshot favourite at the moodmusic hq since w e got it, a classic deep house track of pure quality w hich show s the musical roots of these talented producers. watch out

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù>love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

do you know gummihz? the gummihz that hails from greece but was raised on a steady diet of chicago and new york house? the gummihz that sings? the gummihz that incorporates disco, electro, jazz, and chanson into his productions? well if you don t, now you will. the >sleepless nights< double 12 inch is gummihz first release on mobilee since >under the sun< and is a radical departure from anything we ve ever heard from gummihz ù or even mobilee ù before. gummihz multidimensional production abilities allow him to dig deep into his roots and influences on the one hand while simultaneously exploring new, uncharted territory on the other. alternatingly retro and futuristic, this two-part ep series is a portrait of gummihz as an artist from a variety of angles, one we ve only seen fragments of up until now. one might view this ep as an attempt on gummihz behalf to explore his musical roots in a contemporary context, with the end result being a strikingly varied yet cohesive statement of gummihz musical and artistic leanings. on the one hand, gummihz delves into his past, with tracks such as >sunshine dub< and >bang< fusing the samples, cut-offs, and filtered loops of french house with an almost balearic, hypnotic twist. on the flip-side, we also get a snapshot of gummihz at his most somber ù >love call<, featuring vocals from gummihz himself, has a jackin house beat but bears no resemblance to the cheery sounds of chicago house on which our grecian friend was raised. instead, he favors a cloudy, almost cold-blooded vibe, with chilling lyrics manipulated to the point of near-indecipherability (bringing to mind the brilliant vocal work of the knife and fever ray) with a final product that is nonetheless aptly suited for the dance floor.

releasing >jeffer< as the first single is quite unsual regarding other power tracks that feature robot voices but who cares really anyway? berlin buddies modeselektor made their version of >jeffer< and themself say it sounds like the good days of audion when he is not so minimal - and they make it to the point. mdslktrs remix is a full on techno mix but playable for house or new rave djs as well. it extends every genres bouderies and presents a sound that everybody can meet at. on the flip you get para ones epic version which shows that he is still top of his game. after his classic remix for boys noize >my head< he answers >jeffer< with this banger. para one is pushing the good feeling of the original track to another level by adding new melodies and an epic breakdown in the middle of his mix. 2 killer remixes!

already supported by nick curly, dan ghenacia, markius fix, robert dietz and more!
alex is back with his london home cinematic recordings - this time with a 4 track stormer! >north london cutz ep< is a homage to his inspirational north london neighborhood - where his infamous >rhythm tech< studio is based during the last couple of years - and he got it just right! he delivers a phat 4-tracker with plenty of moods to choose from!
on the a side >bellawatt< - a big room techno with a disco feel and a rumbling bassline on point with todays sound. a2 brings us >ductile< introducing a jackin chicago vibe with a more techno attitude on the beats and a pumping tribal groove on the subs. >this goes out to ron hardy he from chicago< belches the spoken word. funked up to the max! on the flip >route 277< is a warm tech house affair with a dub mood and a strong banging hihat beat and the last joint goes deep and techy with a hypnotic vocal and a haunting oriental melody, all summed up in a percussive jungle mood. overall a very strong and dj friendly release to stay in the box and a perfect follow up to alexs latest releases on arearemote, cecille and tuning spork earlier this year!

marcus homm provides the starting point with “transposer“: funky, impulsive and peppered with unusual sounds. next up, tom clark takes the helm with “ultimo” and steers a course towards the dancefloor peaktime! on the flip, asem shama and demir & seymen splash out. asem’s “erato“ rocks in exhilarating fashion, and the fresh new highgrade lads demir & seymen provide rolling percussion and powerful orchestral stabs on “ethnos“, which really give the dancefloor some legs.

since the begining of the century underground is the ibizas meeting point of clued up music lovers and best international artists who made this club an outstanding place while staying out of the commercial scene. being the home of the vinyl club recordings label events from the first days it is naturally that underground and vinyl club team up to present the new imprint. vinyl club s owner luc ringeisen and underground s soul and dj don juanito deliver 2 deep house tracks that have been tested on the best dance floors around. underground records will present the best works of the international artits crew who made ibiza underground a legend.

peter grummich is a man who needs little introduction. peter has been producing grade-a techno and house for over a decade now on some of the most established electronic dance music labels in europe. peters unique production techniques draw upon a deeper sense of music. segeltuch – >the triolig deep track< is a dark and stripped down tech-house journey. chunky snares and simplistic high hats meld with ominous synth dripping with dub-styled delays. classically detroit sustained string sounds and rich analogue sweeps reflect peters loving detail oriented production at it s finest. what is most remarkable about this collection of sounds is that it gives segeltuch – >the triolig deep track< a remarkable versatility, both dancefloor energy and time.
elevation funk is no average b-side. elevation funk is a super sexy house groove that does the job right. deep and hypnotic analogue stabs slowly modulate to keep the bodies swinging on the dancefloor. odd synthetic effects and cut up noises just drip in overdriven dub-styled delays keeping the groove from getting style and providing delicious ear candy for the dancefloor. then about half way through this journey peter slowly brings back in a wet sounding hat pattern to bring this slow cooking bomb to the boiling point.

no hay banda starts very deep and grows to an end time sound which comes to a high point with a male vocal tone that will get in your mind. crazy sounds which will blow your heads off!

buchecha meets alex tb!!!

syntax analyzer stands for research of hardtechno algorithms that picks >mushroom on the beach< by albert kraner with high density voltage for your brains. no need to mention mad man dariush gee with twisted tune >what s your fuckin point< that puts straight point with groovy and elastic beats for all you ravers. notorious motormorfoses on a flip with astonishingly musical >cataclisma system world< that will smash you away deep and solid. lastly noizbar, an evil genius of datablender movement, delivers you a tricky track called >separatist< that gives you a lift to your final destination.

supported by: anja schneider, julietta, brothers vibe, matthias tanzmann, anthony collins, chris wood, gebr?der teichmann, kabale und liebe, federico molinari, nekes, ray okpara, johnny d., sascha dive, ekkohaus, varoslav... reggie hammond was born in borrego spings in 1982. but already at a very young age he decided to leave the californian deserts and moved to london to focus on electronic music. the rolling techno-tool track for the 3rd diaphan release was created during a jam-session and ? as you can easily hear ? it is followed by some very crazy vocals spoken and sang by the >pleasemachine<, who transform it into a song that drives you directly to the dancefloor. with >ungodly< he presents a slow and very deep dub-track proving his frankness for other styles. the release will be completed by george p s pleasemachine-rmx and shows the track from an absolute different point of view. as a bonus you can also find an instrumental version of >pleasemachine< on the next powerful diaphan ep

its been a while since the last rsb release, but then tracks like this dont come along every day! for their first vinyl appearance on a label other than their own, enigmatic german duo ancient methods do the honourable thing and break out the whip, a track that comes across like a 2-step party in the foundry of thor himself. lets lazily label it anvil techno, because as far as we are aware no has yet invented a genre that adequately desribes music such as this. and as we have come to expect, much the same can be said of the evil sickness that is eat like hawks by bjorn svin (with a little help from karsten pflum, jona olesen & copyflex!). it starts like it means to go on, with a gnarled loop and indecipherable distorted vocals, and is gradually tweaked and augmented to the point of destruction. all manner of ill bass, overdriven filters, zaps, clanky drums & feedback join the party before the whole affair is brought to an abrupt end by the strange foreign lady that we have come to know and love over the course of the track. truly music for small, sweaty, strobe-driven cellars.

christian hilscher and nico plagemann - three minutes before the start: three double signals are flashing at the starting lights. the pilots are strapped into their cockpits with pinpoint accuracy. windows down, elbow out. the sound system is at the limit, the golden chevrolet is shimmering û a real feast for both the audiences eyes and ears. one minute before the start: the motors start roaring. now only two double lights are flashing at the starting lights. adjust your sunglasses. put in the first gear. the bass is vibrating. 15 seconds before the start: only one double light is flashing. now, the kollektiv is on its own. the last bit is tickled out of the sound system. behind the car, a marshal is waving a yellow flag when suddenly the windows start vibrating with the bass. the speed range is signal-red. start: the last double signal of the starting lights goes out, and for the charming guys from hamburg, five green lights are going on: the start. the pulse rate is rising up to 110. its the point of no return - the race is on..

slam bring us the third chapter in their devestating paragraph series, following up their dancefloor destroyer, hot knives that was played by the biggest djs around and dubbed as one of carl craig s favourites of the last few months. the label s previous releases have already had big support from the rest of the techno fraternity, including legends richie hawtin, adam beyer, dubfire, anja schneider, len faki and francois kevorkian.
paragraph number 3 delivers some deep, bass-heavy electronic funk on the a-side, with one note samba . grooving from the off-set, the percussive elements of the track wind around a solid and heavy sub bass, introducing dubbed-out horns reminiscent of slam s freelance science days. hypnotic and tripped out, slam return to their house roots.
on the aa room 2 , dedicated to one of the world s best clubs, fabric, where slam hold a residency, keeps with the stripped-down, rhythmic and gritty sound of paragraph. whilst constantly fluctuating echoes and delays control the rhythm of the track, a swirling, yet straight to the point synth creates some frenzied and panic-inducing builds throughout, leading to a wholesome and satisfying ride cymbal. room 2 is a killer, peak-time track that will be sure to induce some serious convulsions on dance-floor.

moony (real name monica bragato) is a musician from venice italy moony was first noticed singing in the venetian club scene and was asked to provide vocals for a number of songs by dj and producer cristiano spiller. the first single was positive, in 1998, sampled from the physical, song of olivia newton-john, and the second single with spiller was batucada (1999). her first collaboration was point of view as part of the group db boulevard. that song became popular across the european dance music scene and earned db boulevard the distinction of being the first italian music group to be nominated in the mtv europe music awards. remixes come from germanys uber producer / remixer jerome disma ae who takes it deep & electronic àalready stirring a storm in ibiza and all over the rest of europe, i dont know why is surely hks clubbiest monster so far in 2009! huge!

the second body function relase, this time a stunning solo ep by the label-head himself. known for his productions and remixes for codec & flexor, he is dropping these hot tracks on his own imprint. the release is concerning between driving energy, reduced functionality and consciously chosen pathos. in codecs point of view the essential elements to invoke crawlies on the dancefloor >> repress!!

the latest gigolo release is one for the summer! aptly titled hot it comes courtesy of ivano coppola and christian prommer, the former being one of italia s most respected dj s and the latter being, amongst other things, one of the main collaborators for hells critically acclaimed album teufelswerk. taking a sample from willie ninjas classic record hot and building a track around the chords and the vocal leads us to our starting point ivano coppola plastic mix!
ivano coppola has been the resident dj at milan s plastic club since 1992, so it is fair to say that he knows what works on a dance floor, or, to use a popular phrase, what is hot and what is not. it is with this historical knowledge that we find the genesis of our track. i found it necessary to go back in the past, to start producing once again in a 90 style - using samples. the next step was to come back into the future and reach out to christian prommer, highly respected by many including ivan i consider (christian prommer) one of the best producers of the moment! he loved the idea, the remix was huge, and so we decided to co-produce the record. simple!!!
but, for christian this was more then a remix, hence the co-production credit! i liked the idea of translating an early 90 s house-music-sample in to a sample-style-percussive-techno-tune. lots of live played drums and percussion in this one, of course. i only later learned that the sample we used is from one of my house music heroes, maws louie vega. naturally the record found its way into the hands of gigolo in the best way possible, and in the tradition of such a great record label – i played it at the gigolo night in munich and hell came to me dancing and took the tune into his heart.

directions is a soon-to-be-techno-anthem. built around an instantly memorable vocal hook this is a genuine big room tune for the summer. pitched to a chugging groove and mounted on a low, throbbing bassline, no time is wasted in introducing the looped vocal hook that builds and drops towards a sprawling, crowd-pleaser of a breakdown.
backing up the package is the equally impressive tipping point. the 3am front left speaker mix is a shimmering, bass-heavy fusion of old school techno riffs and soaring strings.

originally released on analytic trail at the end of 2007, c est la vie (and b-side oasi) marked the debut for joseph capriati. since this time capriati has gone on to become one of the hottest names in techno with releases on the scenes labels including drumcode, clr and sci and tec.
to celebrate the success of this favourite son of naples, analytic trail are releasing a staggering set of remixes of two tracks from joseph s debut release on the label from the best names in techno: umek, ramon tapia, xpansul, ortin cam, hauswerks, gaz james and abnormal boyz
the mighty umek gets first crack at c est la vie, turning in a typically straight to the point remake, dropping the distinctive percussive hook over a jackhammer groove. ortin cam (drumcode) adopts a more minimal approach with firing snare rolls and a distorted, buzzing cutup loop of the original hook. rounding out the first part of this package is xpansul (ovum, soma) with a dramatic, stringladen take that bounces along on a tough but funky bassline.

rennie pilgrems remix competition winners new duo bsd kick off their breakbeat career with this massive ep intoxikated muzik. a real musical journey which takes a really solid and original approach to the breaks sounds. challenging sounds, with a clear common point, positive vibe and both great dancing and listening tunes all the way down.

nasty boy (italy) & leghau (south france) team up to a new southern connection. a big package with 3 different tracks and a remix of leghaus >nice to meet you< by nicolas cuer that really brings it to the point with bouncing beats that fits the transition from warm-up to peak-time.

hailing from montpellier, rodriguez jr. makes his return to leena with “kids of hula,” bringing the coastal sounds of his hometown along with him. after the success of “rubbo swingo”, his first release on leena, rodriguez jr.—who also comprises half of f communications’ the youngsters—went on to release records for boxer recordings and mothership. on leena’s 11th release, he has returned for a second round, once again displaying his softer side as a housey, psychedelic producer. “kids of hula“ begins on a strongly melodic note with airy, exotic chords leading the way and occasional accents of tropical percussion lining the backdrop. old-school throwbacks also have their place here, as the track climaxes with the use of psychedelic vintage sounds that recall the work of space disco giant lindstrom until they ultimately fuse together with the track’s initial harmonies to create a complex and layered final product. the b-side “pandora” begins with a more stuttered beat and a warbled, static-laced environment. the track reaches its high point with psychedelic sounds comparable to those heard on the a-side that possess a more hypnotic, melodic, and spacey twist. digital exclusive “offshore” fills its landscape with fragments of vocals and high pitched bleeps, blurps, squeals that alternate in time with one another until vintage synthesizers enter the picture. as the track progresses, the old-school synthesizer sounds and vocal snippets unite and begin to work together in unison, by the time the track reaches its peak, the vintage synths have taken on a completely new sound and direction, guiding the pulse of the track until its ending.

since its foundation in the year 1995, reykjaviks gus gus are working hard to make this world a less boring place. initially tagged by the press as the next big icelandic music export after bjoerk, the band swept away all cliche thinking with their highly infectuous metrosexual multimedia pop and secured themselves a deal with the prestiguous 4ad label. &#8233,,,since then a lot of hot water has been ejected by icelands geysers but gus gus miraculously always managed to combine avantgarde with pop, soul and of most prominently - with electronic music. especially with their furious live shows they ve earned themselves a devoted following worldwide. &#8233,,,&#8233,,,this years september will bring us the release of their sixth studio album that goes by the name 24/7. at this point, we dont want to let too much of the cat out of the bag but its certainly right to say that they ve once more reinvented themselves and the result is truely breathtaking. as we re convinced that the world-embracing harmonies and impeccable catchiness of add this song should be heard during this summer season, so we ve decided to already share this with you now. &#8233,,,&#8233,,,the remixes all sound as excellent as their producers: patrick chardronnet, lopazz & zarook and gluteus maximus...

remain 006, kudos e.p., is a 2 tracker treat coming from two artists that have become an irresistible duo to any techno dj out there. remain records proudly welcomes the advent, one of the front runners of techno, and his partner in crime, industrialyzer. their collaboration is one of the hottest things around and their work is in constant demand. apart from releasing their tracks in their respective labels, kombination research and codeworks, the advent and industrialyzer have had successful releases in labels, including drumcode, bush records, mb elektronics and many more.
on the main side, focuspocus is a pure anthem that is totally unpredictable! it is guaranteed to be the track of choice for the springsummer season and for a long time from now! a brilliantly solid track with evocative melodies spread throughout, utterly powerful cuts and kicks and absolutely dreamy loops that will get dancefloors on fire!the title track, kudos, on the remain side is equally powerful, yet so different.. a highly rhythmic track that keeps escalating until it reaches the.. boiling point! as you get into it, it becomes cheeky and playful with some ingenious pointcuts that leave you stunned for a single second until the next wave of radio-rich sounds and percussion mixture hits back! nuff said. enjoy!

producer bradka began his career in 2002. once he entered a music recording studio, his position of a perspective young pianist was immediately replaced by a dozen of knobs, switches, buttons and cables. it was a place, where not only somebodys creations could be performed, but also a place where music history could be written. a few hundreds of his created or produced works for different performers, tv identities and commercials are found in his biography. in 2007, bradka began paying more attention to his own creative work, and since then has been cooperating with san francisco based world famous dj and producer andy caldwell and with a french recording label tubetracks. working in team with other creative people gives new possibilities to successive projects such as downtown party network. highly evaluated by the djs and the representatives of music industry duo is combining the best from legendary disco times, groovy electric additions, proper beat and the undescribable lithuanian point of view.

incl remixes by marek hemmann and till von sein !! dirt crew, martin eyerer.. right at the point where everyone stopped believing that the label owners themselves would do a release on baalsaal,it comes flying right around the corner! finally at catalogue number 009 chopstick & johnjon decide to put their best horse into the race and team up with no other than fritz kalkbrenner - the voice behind the early summer anthem >sky and sand< with his brother paul kalkbrenner. the beat of the original mix bounces from the first minute on, supporting the chords and the bassline while they work their changes. at the point when fritz starts the first verse you get this feeling... this is gonna be special - and indeed it will be... the catchy chorus and the beauty of everything surrounding it makes you wanna sing along, dance and dream away the night... and we didn t get to the break and the strings yet ... yes, there will be strings. so get ready and breathe in 11 minutes of deep feelings and emotions! on b1 is a remix by marek hemmann, who had great impact with his productions and remixes on labels such as freude am tanzen, raum musik and resopal. you can see how much fun he had working with these vocals!..

you can not stop them! with each release they even seem to get higher and yes...deeper too. we are proud to present shahrokh sound of ks fourth black label appearance with three remixes of their highly acclaimed album >dripping point<.dripping point got massive support from djs like rainer trüby, peter kruder, atjazz, sasse and me.

supplement facts on point once again!! this time with werner niedermeier (soul camp, flying, audio culture)!!

rothers latest release is like a point a to z on his impressive body of work and gigolo is extremely happy to present this to the congregation! the melting of electro with other genres is what makes the electronic scene and its music more interesting than ever before...

with the bpm dropped and the delivery of such a deep, emotional slice of downtempo with all the right things in all the right places, you have to doff your hat to dannys production skills. still maintaining a deeper edge but given this package its more dance floor mix is the legend that is matrix! taking time apart from his right hand man futurebound, matrix unleashes a straight to the point, no holds barred awesome slice of futuristic dnb for 2009!

this is the 5th record from a set of 6, ranging from atlantikwall 019 to atlantikwall 024. intended to be sold as a set, but were mainly sold separately. all tracks previously released between 1992 and 1997

after a longer gap than intended, part two of the cage & aviary remix series lands with a bang. truck are an enigma of a band, only forming when the astral alignments deem it appropriate - the next is due in 2012. cage & aviary take the brilliant vocal into proto/acid house territory with a killer bassline ready to move any dancefloor. crude vocal cut ups add to the 80s remix feel, while guitar licks, god pads, and all manner of prophet warblings come and go in a patchwork of angled sounds. sinister strings cut through at the mid way point before the superb outro vocal takes you home. for the dub, ape into jam & leo zero put their heads together and push the track into more of a dancefloor place, employing arpeggiators to keep the cut and paste elements rolling along. leo is a man of many excellent edits, productions, and remixes - watch out for an exciting new vocal project coming from him soon

after the massive success of spektres remix of >ps. you rock<, we are proud to present their own single on blufin . these 2 guys from leeds produced straight to the point again, keeping a massive energy on their groove . uto karem trimmed the track down to its basics with his remix, solid to the base, clubby & twisting the peoples mind, but again with the result : >ps. we keep on rockin !!!<

a new gleaming star in the sky, intending to point the way in the promised land, abates the first misty-eyed, playful publication. nonetheless jackin, house-bounce red threads twist thru all tracks, which could not be more divergent. excellent, then each one is a grandiose dj-tool destined to keep the hearing nerves back in time. diversify guaranteed and impossible to keep still. label owners are the always-on-top swiss dj and producer steve cole and the berlin born robert stolt, charactering a part of the dj- and producing team with the pathbreaking name tagträumer2. it was his original contribution, impudent, vibrating propelling was unmistakable jimi hendrixs muse. like his mentor, he cleverly combined rock n roll with reveries, today an explosive mixture. the remix of tigerskin aka dub taylor is a psychedelic sound, that remind us of the best years of bordercommunity, like a nice lsd-trip known in to those days. the cream on the cakeis steve coles remix, maximal in defiance of minimal. he compiles the language of the woodstock heroes into the >sound of berlin< and wrapped it into a story, which can be patiently eavesdropped.

krazy bladhead remixed the noisy duo ddamage, the funky duo outlines and met the brooklyn rapper tes, signed on lex/warp. tes featuring on >crazy moth3f2ck8z<, extract of krazy bladhead?s second ep >dry guillotine<, comfirmed ed banger?s hip hop turning point. just like sebastian, justice or dj mehdi, krazy baldhead became one of the mainstays of the label. he obviously was part of the >ed rec vol. ii< adventure, with his freezing >strings of death<, and we saw him again on the last compilation of the label, >ed rec vol. iii< with the spaced out >no cow, no pow<.

you cant fool me, david is the starting point for the new founded label called what! what! records and especially for mike okay himself. the release is dominated by the interaction of electronic sounds and organic samples which, as a unit, builds up a sporty groove hilariously. the package is completed by fat remixes of tom deluxx, the sexinvaders and silkersoft.

played by: ryan crosson, clé, electric indigo, nick curly, shinedoe, wink , lauhaus, dan ghenacia, dj t. john digweed, daniel mehlhart, karotte, ivan smagghe, luciano, mandy, dj deep,

supported by adam beyer, josh wink,ben klock, style of eye, joel mull, cari lekebusch, pan pot, ambivalent,jeremy p caulfield and more..

mit der vidab 08.5 präsentiert das label die zweite remixplatte die wieder nur als limitiertes whitelabel erhältlich sein wird. kein digitaler verkauf ! als remixer wurden zwei künstler von dem wunderbaren berliner label mojuba gewonnen: oracy und sven weisemann